Press

On Jessup’s composition Astronomia: “A fine example of sagacious use of not-too-strident dissonant chords, well designed, and extremely well sung by the Kühn Choir of Prague.”

— EarRelevant


On Jessup’s performance of Mozart’s Piano Concerto, K. 459 at Merkin Hall: “Taken at a rollicking pace, it’s an absolutely breathtaking performance, mature and considered, but also joyfully spontaneous with tasteful phrasing, impeccably nuanced dynamics, and an impressive sensitivity to the dramatic contrasts and rapid switches in pace and mood of this music.”

— Interlude


“His expert training in composition not only allows him the freedom to immerse himself directly into the character of each paragraph he utters, but also affords his audience a glimpse of a new actor in that panoply of composer-performers who have shaped the pianistic idiom through the eras.”

— New York Concert Review


“Jessup represents a balance of exuberance and his own musical instincts that is continuously appealing.”

— Fanfare


“Jessup entices music lovers into the classical world.”

— Pianist Magazine


On Jessup’s performance of Grieg’s Piano Sonata in E Minor: “With splendid flourishing moments of a masterful performance, Jessup embraces the energy of the piece beautifully, and thus this manifestation is a delight not to be missed.”

— One World Music Radio


“His Mozart brims with energy without ever distorting the classical proportions of the music.”

— MusicWeb International


“Jessup is in a league of his own.”

— The Ark of Music


“Jessup’s delicate and moving take on Ravel’s Sonatine feels authentically new as it elevates the listener and their imagination to greater plains.”

— Stereo Stickman


On Jessup’s album The First Movements: “Refreshing and inspiring.”

— MainlyPiano